Dear Rodeph Sholom Family,
We all feel the weight of this season. Nearly every issue feels like we walk on a razor’s edge between humanity and inhumanity. Nearly every space feels defined by ideological purity tests and a belief that unity must mean uniformity. Anger and fear dominate our airwaves and screens, and anxiety fills the heart of our country.
At the intersection of personal vision and collective voice, our nation’s elections feel like a litmus test of belonging. As platforms and policies address the most sacrosanct areas of individual liberty and national responsibility, our democracy enables each citizen the opportunity to shape our country in their image. Inevitably, some will feel the triumph of victory and the validation of a nation cheering personal hope. And, inevitably, some will feel defeat and face the realization that the majority reach for a different vision than our own.
While a vote is not a valentine, it is an act of emotional investment. While each ballot represents the casting of strategy, it also articulates the most personal portrayal of yearning and fear – a willingness to take individual perspective and elevate it for the good of all. In its ideal form, my vote is not only what I believe is best for myself, but what I believe moves our entire nation to a stronger state of being. As we imagine 340 million people issuing forth their needs and dreams, the ultimate outcome of the election is intended not to vindicate some, but to hold together the diverse tapestry of visions.
The election of 1800 represented one of the most contested and important elections in American history. Thomas Jefferson won the election over the incumbent President John Adams, and the nation witnessed the first peaceful transfer of power between both presidents and parties. During his inaugural address, Jefferson reminded the nation that the ultimate aim of the elections was not the defeat of political opponents, but strengthening a united nation:
Let us, then, fellow-citizens, unite with one heart and one mind. Let us restore to social intercourse that harmony and affection without which liberty and even life itself are but dreary things…every difference of opinion is not a difference of principle. We have called by different names brethren of the same principle. We are all Republicans, we are all Federalists.
This Shabbat we are introduced to our patriarch Abraham. Our early sages imagined that as a youth, Abraham would smash and destroy the things he believed to be false. But as an adult, he found a different way. Parshat Lekh Lekha opens as God calls Abraham to go forth from his place of belonging, to kindle many great nations, and to be a blessing to the world. Amidst his journey, Abraham gets into a painful dispute with his nephew Lot. With tension rising, Abraham turns to Lot and says, “Let there be no strife between you and me…for we are brethren” (Genesis 13:8). This prompts our early sages to note that Abraham has transformed from a smasher into “a weaver, one who stitches the world together before God; just as a person who at first rends a garment and then learns to stitch it.”
Elections rend us apart. They ask us to take our complex array of hopes and priorities and best align them to platform and party. They challenge us to sift through our shared and individual experiences, and salvage those worthy of informing our future. They ask of us to see our brethren as opponents and call us into a battle of belief.
On Election Day, irrespective of political persuasion, some will feel buoyed and some shattered. But no matter the outcome, our real work is what comes next. It is we who will choose whether to be smashers or weavers, we who will demand uniformity or instead choose unity. Our nation is founded on the belief that collective will creates a stronger nation than individual wish. Once the nation has spoken, we are all called to be weavers. To stitch together our families and community and country. To strengthen ourselves for the work of building ahead.
And perhaps this points to an added gift of our Jewish tradition. Nearly every platform and policy can be justified with Jewish text and informed by Jewish experience. While this inspires frustration in some wishing for a concise answer to “What does Judaism say about…?” it also invites humility knowing no single person or position entirely captures truth and goodness. In Judaism, we passionately debate and relentlessly strive, not from the hubris of holding all that is righteous, but the belief that the act of engagement is itself an act of weaving.
As we cast our vote, as we elevate our ideals, we bring ourselves into a collective context. We imagine the generations before us and all they sacrificed and for which they sought so that we could reach this moment. And we imagine the generations after us, and hope that in our engagement they too will offer gratitude for our struggle.
From rending, may we now turn to weaving.
Rabbi Ben Spratt
Senior Rabbi
Justin Callis (he/him), our Cantorial Intern, is a fourth-year student at Hebrew Union College-Jewish Institute of Religion in the Debbie Friedman School of Sacred Music. He is the recipient of the Reuben Peretz Abelson Prize for dedication to Yiddish Song, the Temple Israel of Boston Cantorial Prize, and the Lee Gura Memorial Prize for Aptitude in Synagogue Choral Music.
Known for his sweet and “sumptuous” (New York Times) tone, American-born Doori Na took up violin at the age of four and began his studies with Li Lin at the San Francisco Conservatory of Music. He quickly made his first performance with orchestra at age seven with the Peninsula Youth Symphony as the first prize winner of the concerto competition. Thereafter Mr. Na went on to win top prizes in The Sound of Music Festival, The Korea Times Youth Music Competition, the Chinese Music Teacher’s Association, The Menuhin Dowling Young Artist Competition, The Junior Bach Festival, VOCE of the Music Teacher’s Association of California, and The Pacific Musical Society. Receiving full scholarships to private high school Crossroads School of Arts and Sciences in Santa Monica, he moved to Los Angeles to study with renown violin teacher, Robert Lipsett, at The Colburn Music School. There he appeared as soloist with the Palisades Symphony, Brentwood Symphony, and Torrance Symphony. During that time, the summer of 2004 was Mr. Na’s first time at the Perlman Music Program where his expression and musical identity were greatly influenced. He has been a part of the program ever since and participated in many of their special residencies in Florida, Vermont, New York, and Israel.
Violinist Michael Roth is a native of Scarsdale, NY and received his early musical training with Frances Magnes at the Hoff-Barthelson Music School. He attended Oberlin College and Conservatory, continuing his studies with Marilyn McDonald. At Oberlin, he won the Kaufman Prize for violin and First Prize in the Ohio String Teacher’s Association Competition. He completed his Master of Music degree at the University of Massachusetts where he worked with the distinguished American violinist and pedagogue Charles Treger and was a recipient of the Julian Olevsky Award. Mr. Roth is currently associate concertmaster of the New York City Ballet Orchestra and has appeared in chamber music and as a soloist with the company, most recently in the debut of “Slice Too Sharp”, a ballet of Biber and Vivaldi violin concerti, and “After the Rain”, violin music of Arvo Part. In addition he is a member of the Mostly Mozart Festival Orchestra, Principal 2nd violin of the Westchester Philharmonic, the American Composers Orchestra and the New York Pops. He was concertmaster of the Vermont Mozart Festival Orchestra for many years and often appeared as soloist there, as well as at the Caramoor and Bard Music Festivals. He has played and toured internationally with the Orpheus Chamber Orchestra and the New York Chamber Soloists.
Sarah Adams, viola, performs locally with the New York Chamber Ensemble, the Claring Chamber Players, the Sherman Chamber Ensemble, the Friends of Mozart, and the Saratoga Chamber Players.
Praised by the New York Times as “irresistible in both music and performance.” flutist, 
Rabbi Mira Weller (she/her) received her ordination at Hebrew Union College-Jewish Institute of Religion in Los Angeles in May 2022. She studied Culture and Politics at Georgetown University’s School of Foreign Service and received her Master’s in Jewish Education at the Rhea Hirsch School of Education at HUC-JIR. She is the proud recipient of awards for her studies in rabbinic literature, her work in Jewish education, and she was granted the Myrtle Lorch Pfaelzer-Monroe Pfaelzer Award for an Outstanding Female Rabbinical School Student (2022). Rabbi Mira speaks Hebrew and Spanish (so please practice with her!). She has a passion for uncovering new possibilities in the great wealth of our tradition and for making music inspired by Judaism’s many cultures. Her guilty pleasures include cupcakes, classical music, and philosophy.
Alan Goodis is a touring Jewish musician playing over 150 events a year. Born and raised in Toronto, Alan is a proud product of URJ Goldman Union Camp Institute. Noted for his dedication to building relationships and community through music, Alan tours throughout the US to serve as an Artist-In-Residence and performer at Temples, Youth Conventions and Jewish summer camps.
Julie Silver is one of the most celebrated and beloved performers in the world of contemporary Jewish music today. She tours throughout the world, and has been engaging audiences with her gorgeous compositions and liturgical settings, her lyrical guitar playing, her dynamic stage presence, and her megawatt smile for over 25 years.
Dan is a product of the URJ Jewish camping movement. He has toured Jewish summer camps across North America for the last 15 years. A classically trained singer, Dan received his Bachelor of Music degree in vocal performance at the University of North Carolina. In 1995, realizing the potential of music to make powerful connections with Jewish youth, Dan established the Jewish rock band Eighteen. Since that time, Dan and Eighteen have released 13 albums. Songs like, L’takein, B’tzelem Elo-him, Kehillah Kedoshah, Chazak, Sweet As Honey, and Asher Yatzar have become Jewish communal anthems throughout North America.
Naomi Less is an internationally celebrated singer/songwriter, ritualist and educator. Beloved for her warm smile and inviting presence, communities celebrate her imagination and innovation, tenderness and pizzazz! Her original music is sung in worship communities worldwide. Naomi serves as Co-Founder, Ritual Leader and Associate Director of Lab/Shul and is a leader in amplifying women’s voices through her work at Songleader Boot Camp and her Jewish Women Rock show on Jewish Rock Radio. Naomiadvocates for people struggling with fertility journeys as a performance artist and speaker for Uprooted: A Jewish Response to Fertility Challenges. Fun fact: Naomi and her husband wrote the song shine/Yivarech’cha, a Friday night blessing, specifically composed for URJ Crane Lake Camp, sung every Friday night in the dining hall.
Her destiny became obvious to Joanie Leeds’ parents when, at the tender age of 2, Joanie grabbed the performer’s mic at a party and belted out the entire song“Tomorrow” from Annie. Jaws dropped! No one could remember ever hearing a big voice like that coming from one so tiny and certainly no one would have thought she would one day earn a GRAMMY® Award for her original music.
A composer, multi-instrumentalist, and prayer leader, Elana Arian is one of the leading voices in contemporary Jewish music. Elana’s music is part of Jewish life across the globe, and her compositions are sung in spiritual communities, summer camps, and synagogues from Louisville to London, from Chicago to the CzechRepublic, and everywhere in between. Elana just released her fourth album of original music, The Other Side of Fear, and her compositions have been published in countless Transcontinental Music collections. Elana serves proudly on the faculty of Hava Nashira (Oconomowoc, WI), the Wexner Heritage Foundation (Aspen, CO), Shirei Chagiga (London, England), and as an instructor at the Hebrew Union College in New York, where she teaches in the Debbie Friedman School of Sacred Music. Elana has performed at Carnegie Hall, Lincoln Center, Tanglewood, and perhaps most memorably, five separate appearances at the (Obama) White House. She lives in New York with her wife, Julia, and their two daughters, Maya and Acadia.
Known for his unique, engaging, and deeply soulful approach, Noah Aronson is considered one of the most sought after Jewish musicians in North America, making over 65 community appearances each year.
There is a reason why Time Magazine has listed Michelle in their Top Ten list of Jewish rock stars.
Kol B’Seder has been composing and performing contemporary Jewish music since the early1970s. Rabbi Dan Freelander and Cantor Jeff Klepper met as college students; over the past 50years they have released numerous CDs and songbooks. With Debbie Friedman (z”l) and others, they forged a new musical sound for American Jewish camps, schools and synagogues. Their songs, such as “Shalom Rav,” “Modeh Ani,” and “Lo Alecha,” have become traditionalJewish melodies around the world. They are delighted to be inaugurating their fiftieth anniversary celebration by appearing in support of URJ camps, where they first composed and incubated many of their early songs.
New York bassist Roger Wagner enjoys a long and diverse career. As soloist, chamber musician, and orchestral bassist, Mr. Wagner has appeared on many of the world’s great concert stages.
Margaret Kampmeier, 
Leonard Bernstein described 
Sarah Adams 
Michael Roth
Our initiative for young children and their grown-ups provides a slate of offerings including Shabbat and holiday celebrations, music, classroom readiness programs, and new parent experiences. During the pandemic, we have leaned on $1m of seed funding for Sholom Sprouts established through this campaign as we offer age-appropriate virtual programs for our families with young children, who are the future of our community. We look forward to welcoming our littlest members and their grown-ups back to our new fifth floor, as well as hiring a Program Assistant to increase the capacity of Sholom Sprouts to grow. This program provides a crucial entry-point to the congregation and membership for young families.
